Welcome!

Welcome to my Blog everyone!

Tuesday, May 25, 2010

Blog 13 : Full Draft


The short story The Tell-Tale Heart by Edgar Allan Poe is a short horror story first published in January of 1983. This short story is one of many popular stories I have read from Edgar Allan Poe's collection of short horror stories since middle school. From start to finish I find that it is chilling and disturbing on how the story unfolds from the sanity to the insanity of the narrator's mind. For my analysis and interpretation of the story I will use Psychoanalytic Criticism to explain the latent thoughts and actions that occur inside his mind. His disease mentioned in the story is perhaps one of many common mental disorders occurring in many people. Symbolism also plays a significant role in the story as there are specific symbols that are connected to the narrator which may define his character or the situation that occurred.

The author of the short story Edgar Allan Poe, was born on January 19, 1809 and died on October 7, 1849. His parents had died when he was very young, thus he became an orphan but was later adopted into the Allan family by John and Frances Allan. Poe was an American writer, poet, and journalist; he is considered to be part of the American Romantic movement. He had struggled all his life financially and had earned his living by writing essays and short stories which had earned him very little. Poe died from unknown circumstances due to brain congestion, drugs, alcohol, heart disease, suicide, and the list goes on. His experiences with the deaths of many close people to him may be the result of his own psyche going insane.

In The Tell-Tale Heart the story is told by an unknown narrator. He is actually the Protagonist and the Antagonist in this story. To further explain this, he is both the victim and the predator of his own actions. He plots to kill the Old Man being the predator and becomes the victim of guilt when he hears the sound of heart beating . At first in the beginning of the tale, he claims that he harbors no ill will towards the Old Man and he is always kind to him. The only thing that disturbed him was the "Vulture eye" the Old Man possessed. The narrator states, “Whenever it fell upon me, my blood ran cold; and so by degrees – very gradually – I made up my mind to take the life of the old man, and thus rid myself of the eye forever.” This can explain the inner feelings of loath and disturbed hate he had for the Old Man. 

Much earlier in the opening of the story, he claims that he is indeed very nervous but not does not consider himself to be mad only having sharp "Acute" senses because of "The disease". This disease he speaks of is a disorder known as Neurosis. Neurosis is a class of functional mental disorders involving distress but neither delusions nor hallucinations, whereby behavior is not outside socially acceptable norms. This disorder is also known as psychoneurosis or neurotic disorder (Wikipedia). The narrator seems to be suffering from this severe disease yet claims that it has made him aware of all things.

After 8 consecutive nights, silently he still waits like a shadow looking over the Old Man in his sleep. Waiting for the opportunity to murder him but ultimately to eliminate his eye.  When he succeeds and murders the Old Man, he disposes the body by dismembering the corpse and hides it underneath a wooden plank. He finally feels that all is well and solved. He does not regret or even consider the event that just happened then policemen arrive for an inspection. The narrator gladly welcomes the policemen and displays his confidence yet after their long stay he suddenly becomes paranoid because he hears the sound of a beating heart. The noise haunts him as the sound gets louder and louder until he is no longer able to contain his guilt and at last confesses to the policemen by revealing all that has really happened and that he was actually the murderer.

The field of Psychology was established by an Austrian psychoanalyst named Sigmund Freud; he is the founding father of the field and has written many theories concerning the functions and thoughts of a person’s psyche. According to Wikipedia, Psychoanalytic Literary Criticism is the literary approach where critics see the text as if it were a kind of dream. The hidden message in the text lies latent and it is the critic’s job to unravel the mystery by identifying the symbolism and the language used and arrives at the true meaning.

In Psychoanalytic Criticism, this specific literary approach is how critics interpret literature as dreams. The text represses its real or latent content behind obvious content (Wikipedia), therefore in dreams they can be expressed as some sort of outlet to lessen the actual reality that occurs in the real world itself. The process of changing from latent to manifest content is known as the dream work (Wikipedia).  In the article Unconscious Mind, "While past thoughts and memories may be deleted from immediate consciousness, they direct the thoughts and feelings of the individual from the realm of the unconscious". This quote may be able to explain the narrator's unconscious feelings towards the old man himself because he was driven to the limit of going mad that because of the old man's eye he had decided that he should be put to death.

One of the main symbols appearing in this story is the "Vulture Eye", the narrator explains how it deeply disturbs him as he gazes upon it and that it is a sight that makes his blood run cold. According to a website enotes.com, the vulture eye symbolizes the coming of death. The vulture is a huge flying bird and is the predator circling around a sickly animal or person waiting until it dies so that it can consume the corpse. Therefore, the Old Man was nearing death as he was soon to fall victim before the narrator. Many other symbols appearing in the story are shadow, death, corpse, and heart. In Shadow Psychology from Wikipedia, the shadow is a part of the unconscious mind consisting of repressed weaknesses, shortcomings, and instincts. This in general can explain the person's most personal and inner feelings and our strong feelings usually cannot be openly expressed, however in the dream world, all feelings and strong desires can be fulfilled and expressed beyond the ordinary limits in the real world. One of the most well known psychologists, Carl Jung, notes that "the shadow sometimes overwhelms a person's actions; for example, when the conscious mind is shocked, confused, or paralyzed by indecision".

Works Cited:
Holman and Snyder. “Edgar Allan Poe” About.com. web. 25 May 2010

Poe, Edgar. “The Tell-Tale Heart” PoeStories.com. web. 25 May 2010

“Psychoanalytic Literary Criticism” Wikipedia. 29 March 2010. web. 25 May 2010

“Shadow (Psychology)” Wikipedia. 20 May 2010. Web. 25 May 2010



Monday, May 17, 2010

Blog 12: Initial pre-writing

The Tell-Tale Heart

The short story The Tell-Tale Heart by Edgar Allan Poe, is a short horror story first published in January of 1983. This short story is one of the most familair stories I have read from Edgar Allan Poe's collection of short horror stories since middle school. From start to finish I find that it is chilling and disturbing how the story unfolds from sanity to the insanity of the narrator's mind. For my analysis and interpertation of the story I will use the Psychoanalytic Literary Criticism to further explain the events, thoughts, and the possibilites of interpreting the narrator's mind. With that said, the story is narrated by the unreliable narrator (himself), who explains the events of how he carefully calculates the murder of the old man who possess an evil eye he calls " The Vulture Eye".

According to the narrator himself, he claims in the beginning that he is very nervous but not mad because if he were he would be unable to tell his story to us (the audience). The narrator waits silenty like a shadow as the old man sleeps looking for an open opportunity to murder him but ultimately his eye. After the murder he disposes of the body by dismembering the corpse and hiding it underneath a wooden plank. He feels that all is well and solved but his confidence dissipates as the policemen come for an inspection after their long stay at the narrator's house. The narrator switches from his confidence and then becomes paranoid because he hears the sound of a beating heart. The noise haunts him as the sound gets louder and louder until he is no longer able to contain his guilt and at last confesses to the policemen by revealing all that has really happened and that he was actually the murderer.

One of the main symbols appearing in this story is the "Vulture Eye", the narrator explains how it deeply disturbs him as he gazes upon it and that it is a sight that makes his blood run cold. According to a website enotes.com, the vulture eye symbolizes the coming of death. The vulture is a huge flying bird and is the predator circling around a sickly animal or person waiting until it dies so that it can consume the corpse. Therefore, the Old Man was nearing death as he was soon to fall victim before the narrator. Many other symbols appearing in the story are shadow, death, corpse, and heart. In Shadow Psychology from wikipedia, the shadow is a part of the unconscious mind consisting of repressed weaknesses, shortcomings,and instincts. This in general can explain the person's most personal and inner feelings and our strong feelings usually cannot be openly expressed, however in the dream world, all feelings and strong desires can be fulfilled and expressed beyond the ordinary limits in the real world. One of the most well known psychologists, Carl Jung, notes that "the shadow sometimes overwhelms a person's actions; for example, when the conscious mind is shocked, confused, or paralyzed by indecision". When the narrator found the Old Man's eye open as he slept he all of a sudden lept and suffocated him to death.

In the analysis of Psychoanalytic Literary Criticsm, this literary approach is how critics interpret literature as dreams.The text in literature is actually hiding its true content or desires, therefore in dreams they can be expressed as some sort of outloet to lessen the actual reality that occurs in the real world itself. From the wikipedia in the article Unconscious Mind, "While past thoughts and memories may be deleted from immediate consciousness, they direct the thoughts and feelings of the individual from the realm of the unconscious". This quote may be able to explain the narrator's unconscious feelings towards the old man himself because he was driven to the limit of going mad that because of the old man's eye he had decided that he should be put to death.


Links:
http://en.wikipedia.org/wiki/Unconscious_mind
http://en.wikipedia.org/wiki/Psychoanalytic_criticism
http://en.wikipedia.org/wiki/Shadow_(psychology)
http://en.wikipedia.org/wiki/The_Tell-Tale_Heart
http://www.enotes.com/tell-tale-heart/q-and-a/what-might-vultures-eye-symbolize-59725

Monday, May 10, 2010

Blog 11: My Chosen Story


The Tell-Tale Heart by Edgar Allan Poe

For this assignment, I have chosen to do an analysis on the title: The Tell-Tale Heart by Edgar Allan Poe. I have chosen this short horror-fiction story because I am familiar with reading the story before and the story itself really gives off creepy and eerie feelings while reading it. The basic plot of the story tells of a man (the narrator) who goes insane after murdering an old man with a vulture eye. He hides the dead body under the floor boards and as time passes he becomes paranoid and in his thought he is haunted by the sound of heartbeating where he has hidden the old man. In my interpretation, the story itself is disturbing in how the narrator describes his thoughts and actions of how he carefully plans the murder of the old man. For the specific approach, I will use psychoanalytic criticism to further analyze the narrator's thoughts of how he may have felt when encountering the old man and perhaps his subconscious played the significant role which led him to kill the old man. According to the wikipedia, psychoanalytic criticism can yied useful clues to the sometime baffling symbols, actions, and settings in a literary work. In addition to that, this literary approach is where critics see the text as if it were a kind of dream. This approach may be able to help me in understanding what goes in the narrator's mind and why he feels guilt towards his actions in the end.

External Links:
http://en.wikipedia.org/wiki/The_Tell-Tale_Heart
http://poestories.com/read/telltaleheart
http://en.wikipedia.org/wiki/Psychoanalytic_criticism

Image link:
http://upload.wikimedia.org/wikipedia/commons/4/43/Clarke-TellTaleHeart.jpeg

Tuesday, May 4, 2010

Blog 10: Reflection

In the past few weeks, the term monomyth was actually something that I had prior knowledge of since watching heroic films at a young age. In the past few weeks after watching the interview with Joseph Campbell and reading the Monomyth article online the wikipedia, in simple words it just meant the hero's journey. It describes and lists all the stages a hero encounters along his or her adventure. In my experience watching these films, there was at least a hero or a group of heroes that would go on a quest with either personal purposes or a purpose that had to deal with saving a nation or the typical saving the world. These trials would test the hero's abilities and would determine whether the hero had what it takes to overcome the situation. If he/she did then a reward would be bestowed or their goals and dreams would be fulfilled. Sometimes the hero doesn't start with the initiative to go on an adventure but eventually finds that reason as they proceed. In the film 'Spirited Away', Chihiro goes on a quest with the goal of saving her parents, but she originally had no intention on going on a quest and becoming a hero. This call to adventure was perhaps her destiny that had chosen her and from the experiences she had to go through, she had matured beyond being a child by understanding what love meant. Knowing all this, what I learned from the hero is that he/she sets a positive standard and becomes a role model to the viewers. The lessons they depart to us is that anything is possible if you strive towards a dream/goal. Facing struggles and learning how to deal with them instead of hiding fdrom them is the lesson of maturity and that is what will make us become a better person.

Image Link: http://images.fanpop.com/images/image_uploads/Drakengard-2-drakengard-798973_1024_768.jpg

Sunday, May 2, 2010

Blog Entry 9 Hero's Quest Film

Azumi: The Ultimate Female Assassin
 
For this assignment, I have decided to choose one of my personal best interesting hero films and a film that closely matched Joseph's Campell's coined term, Monomyth or better known as the hero's journey. Azumi is a historical Japanese fiction film based on the original manga created by Yu Koyama. The film was directed by Ryuhei Kitamura and later released in Japan of 2003. In the beginning of the film, the setting takes place after the battle of Sekigahara during the 1600s in Japan. Tokugawa Ieyasu being the victor had defeated his rivals the Toyotomi clan and  had defeated Ishida Mitsunari's army; becoming the first ruler of the Tokugawa Shogunate. The hero's story begins during the beginning reign of Tokugawa. Azumi is a female assassin raised and trained by an old man, she calls master or "Ji" meaning old man in Japanese. This old master raises Azumi along with 9 other orphaned children (all male) who were victims of the previous war. The children are trained in the way of the samurai, shinobi assassin and live most of their lives up on a mountain.  This raising of the children was a task given to their master named Gessai by a priest named Tenkai in achieving future missions that dealt with a plot to overthrow Tokugawa Ieyasu. 


In the beginning stage of the hero's journey, Departure, Azumi and her 9 comrades had completed their daily training in the woods. One day during a meal gathering their master informs the group that they will soon leave the mountain to start their first mission. The next morning, they are given a final test by master Gessai. This test is a crucial test that will determine which assassins will be able to become successful in completing their missions. As ordered by Gessai, everyone pairs up with a teammate they are comfortable with or deeply bonded to. The master then speaks to his apprentices saying, "an assassin is unable to choose whom to kill... the way of the assassin is to have a mind of steel and become inhuman. Thus, I give you this final test. Slay each other, slay your teammate, kill!" This is the first stage of departure where they must kill their fellow teammate and survive to complete the mission they were trained for since childhood. Azumi is paired with her close partner, Nachi. She hesitates to kill Nachi thus, she refuses the call. When Nachi decides to accept his destiny Azumi sees his determination and she is forced to accept the call killing him. As Nachi is dying, he presents to Azumi his talisman of charm. Which according to him will help guide her in her quest. In the second part of the departure, the 5 remaining assassins stand in front of the graves of their fallen friends and comrades, they burn down their hut, and officially leave the mountain with their master. This is where they begin to leave the known realm and into the unknown. (from left to right bottom picture: Nagara, Amagi, Hyuga, Azumi, and Ukiha.)
 

In the next stage, Initiation, the group leaves the mountain and encounter a nearby village only to witness the slaughtering of local villagers by bandits. Azumi, her friends and their master witness this event and soon the group becomes infuriated yet eager to help the people. However, Gessai forbids them to take action and are forced to become spectators of a massacre. The simple reason Gessai gave to his apprentices is that helping them is not directly involved with their mission therefore, becoming involved in something small will not improve the nation itself. This was the initiation of reality the master had his apprentices experience as young assassins. Soon after the event, they cross and pass through the first threshold only to be surprised by another fellow assassin named Nagato. Nagato is a master ninja sent by priest Tenkai, who had assigned the samurai Gessai in the task of raising a band of assassins. This meeting was held during the aftermath of Sekigahara as they both stood before the fallen bodies of allied soldiers. Jumping back to the present, Nagato holds a letter out to Gessai; this letter contains the names of the three warlords they must eliminate and their goal or primary objective. These foes are, Nagamasa Asano, Kiyomasa Kato, and Masayuki Sanada; all of the named warlords pose a threat to the Tokugawa government yet their goal is to begin a new war in reclaiming the power of Shogun and appointing it to their ruler Toyotomi Hideyori; son and heir of Toyotomi Hideyoshi.

In the road of trials, the team immediately begins their assigned task. Azumi confronts a band of samurai one morning out fishing by the sea; the other assassins hide and watch from behind the bushes. Azumi talks to an elder member of the samurai group who is fascinated by her beautiful appearance. She questions him and asks what he is doing; he goes on talking about the enjoyment of fishing. Azumi sees him struggling and then lectures him on how to catch fish. After forcefully throwing a small stone into the water, a great number of fish are soon caught. He is impressed at her skill in the sport and both formally introduce each other. Yet, when she learns his name she realizes that he is one of the targets she is assigned to eliminate; Nagamasa Asano. Her comrades sneak and attack the guards from behind and Azumi herself is left to assassinate the man whom she must eliminate. From this point out, the other warlord Kiyomasa Kato is the only warlord concerned in the entire film. As soon as Kiyomasa learns of Nagamasa's death he takes careful precaution and hires deadly mercenaries standing in the way of Azumi and her group. (Bottom picture from left to right: Azumi vs. Bijoumaru Mogami.)



The final stage of Return, after Azumi is disowned by her master and is no longer an assassin, she tries to live the life of an ordinary Japanese woman in the era of Tokugawa. Yet, she soon realizes no matter where she runs she cannot hide from the fact that seeing more bloodshed happening will not easily pass and will continue until she can make a great change happen. With determination she goes to the castle of Kiyomasa Kato to go face him yet stands before hundreds of his warriors. She also goes to rescue the surviving assassins and her master. Unfortunately, most of Azumi's comrades had already been slain by mercenaries and bandit groups.  The final and great battle of the film was against the insane narcissistic killing swordsman named Bijoumaru. Instead of having a female temptress like many other films,  here Bijoumaru is a man who represents that role; his literal name translates to "beautiful man". After Azumi triumphs from battle, she sadly witnessess the passing of her own master which was the father figure who had raised her. What Azumi understands to be her own true mission in life is creating peace and doing everything in her power to prevent a civil war happening in Japan. From the film perspective, she has transcended above being just a tool for assassination, she has devoted herself along with her lone comrade survivor, Nagara, as protectors and guardians of the people suffering during this era. Near the end of the film, Kiyomasa is confident about his escape yet Azumi surprises to show herself and cuts swiftly upon him. One of Kiyomasa's subordinates, Kanbei, rushes over witnessing the flame of life leaving his master. Azumi finally ends in the a sunset scene where only two surviving assassins remain to fulfill the final assassination of the last warlord, Masayuki Sanada. 

Image Links
http://www.asianfilmclub.com/wp-content/uploads/2009/10/azumi1.jpg
http://thecia.com.au/reviews/a/images/azumi-8.jpg
http://www.smh.com.au/ffximage/2004/11/03/azumi_wideweb__430x342.jpg
Works Cited
Azumi. Imdb.com. 2007. Web. April 30, 2010

Azumi. Mysoju.com. 2007. Web. April 30. 2010.

Battle of Sekigahara. Wikipedia. 2010. Web. April 30, 2010.

Tokugawa Ieyasu. Wikipedia. 2010. Web. April 30, 2010.